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Time sequencing

© Agsandrew | Dreamstime.com
© Agsan­drew | Dreamstime.com

A book that I thought was done came back from my publisher’s copy edi­tor. There were the usu­al cor­rec­tions; com­mas, con­trac­tions, word rep­e­ti­tions, inept gram­mar, and the occa­sion­al inter­nal con­fu­sion. There was also some­thing very much more seri­ous: I had messed up the plot’s time sequence.

Ordi­nar­i­ly that might not mat­ter so much, but in this book, time is vital. In one sense, the book is a thriller, inso­far as my pro­tag­o­nist, as they say, is rac­ing against time to save his own life. So when it was point­ed out that I had quite con­fused my tim­ing of events, that was, to put it mild­ly, a catastrophe.

You might think the copy edi­tor would say, “Here is the glitch.” It did not hap­pen. All that was said was, “This can’t hap­pen this way.” What’s more, the book has a com­plex plot.

There­fore, what was required was a care­ful work-through of the man­u­script, with a cal­en­dar in hand, check­ing the plot, event by event, hour by hour, and day by day. In time, so to speak, I found it: I had dropped two weeks. How? I have no idea. But, once found, adjust­ments were rel­a­tive­ly easy.

That said, the sequence of time in a plot is real­ly vital, and it can make a sub­tle if not huge dif­fer­ence. It is all too easy to for­get such and such an action will take time to hap­pen, or not to hap­pen. Moreover—readers will notice. Adept use of time is a cru­cial fic­tion writer’s task.

So—next time I write a book like this one, I will post a remark made by Albert Ein­stein over my desk: “The only rea­son for time is so that every­thing does­n’t hap­pen at once.”

In short, when you think seri­ous­ly about your next plot, remember—It’s about time.

3 thoughts on “Time sequencing”

  1. As a review­er this is one ele­ment that I strug­gle to point out when it does­n’t work. When it does, you bare­ly notice and just say fast-paced and believ­able. But when it is off and things are not work­ing, it’s very hard to put that suc­cinct­ly and still give all the oth­er ele­ments a fair shake in a 250 word review. It’s true that read­ers will be jolt­ed, but some won’t mind very much if the rest is engag­ing, but oth­ers will stop dead and put the book down. This just reminds me that book reviews are too short and we rarely have the time to real­ly give a book it’s full due.

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  2. More­over, most short reviews are tak­en up plot descrip­tion. Rarely do they men­tion ideas or themes that are strong (or not strong) in a book.

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  3. We need more options for longer reviews. I know that is unlike­ly to hap­pen, and I think it is part of the blog rev­o­lu­tion. Review­ers who do con­sis­tent­ly write blog reviews can take the time need­ed. My nit­picky old school mind though objects to the fact that these are pick and choose reviews. I’ve just reviewed a book I thoughts was excep­tion­al­ly well put togeth­er and enter­tain­ing. I had 230 words to use and while I hope I con­veyed a sense of what it was, what I appre­ci­at­ed about the book and who the read­er might be– there was no space to go into any depth. This is like­ly to be ignored by most blog­gers– no big name attached. How do we give each book it’s fair shake at the audi­ence it could have with only 250 words? Or 230 as the case may be.

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