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The Story of Breakfast Serials

The 19th cen­tu­ry seri­al­ized nov­el, which rad­i­cal­ly enhanced the pop­u­lar read­ing of nov­els, began to dwin­dle in the 20th cen­tu­ry. Books had become much cheap­er. Libraries became ubiq­ui­tous, with greater access to books at a far low­er cost (or no cost) for read­ers. News­pa­pers, which had been depen­dent on sub­scribers (with seri­al­ized fic­tion as a mag­net for read­ers), shift­ed their busi­ness mod­el to adver­tise­ments for income. There was also a growth of mag­a­zines, which pub­lished fic­tion. And then came radio and movies, both of which used seri­al­iza­tion, as does cur­rent streaming.

As you may recall (from Chap­ter 1, my pre­vi­ous post­ing) when I was a boy, I read children’s seri­al­ized fic­tion in the New York Her­ald-Tri­bune. The New York Dai­ly News also ran seri­al­ized fic­tion. That knowl­edge of the seri­al­ized nov­el led me to write (1996) Beyond the West­ern Sea, a 700-page sto­ry with a mul­ti­tude of short, cliff-hang­ing chap­ters, tak­ing the form of a seri­al­ized Vic­to­ri­an novel.

By the time it was pub­lished, I was liv­ing in Boul­der, Col­orado, which had its own local news­pa­per, the Boul­der Dai­ly Cam­era. It was then that I decid­ed to write a real seri­al­ized sto­ry, illus­trat­ed by the nation­al­ly known but local artist Janet Stevens. 

Keep Your Eye on Aman­da began to appear, seri­al­ized, in the Cam­era. Then it was pub­lished by a Col­orado Springs paper, and soon there­after, in a Casper, Wyoming paper. Oth­er news­pa­pers soon joined in. Break­fast Seri­als was born, but very quick­ly became far more than I could han­dle. For­tu­nate­ly, my wife, Lin­da Wright, offered to take over, and it was she who trans­formed my small project into a pub­lish­ing phe­nom­e­non. At its peak in 2005, thir­ty-three mil­lion read­ers had access to sev­en­teen sto­ries writ­ten by twen­ty-sev­en cel­e­brat­ed writ­ers such as Katheren Pater­son, Jonathan Lon­don, Joseph Bruchac, and Bet­ty Miles, among oth­ers. Illus­tra­tors were Bri­an Flo­ca, Peter Cata­lan­ot­to, and Emi­ly Arnold McCul­ly, along with others.

And respons­es!

The cir­cu­la­tion direc­tor of the But­ler Eagle wrote: “Two things every­one looks for around here, Steel­ers cov­er­age and Break­fast Serials.”

The New Hamp­shire Union Leader head of mar­ket­ing wrote:

 “The Union Leader increased their cir­cu­la­tion for the first time in six years by pub­lish­ing a Break­fast Seri­als novel …”

The Ari­zona Repub­lic wrote, “One read­er called me just last week and said that Break­fast Seri­als is the rea­son she and her hus­band are con­tin­u­ing their sub­scrip­tion to the Repub­lic.”

In the Shadow of My Father's Hand Breakfast Serial Craig Crist-Evans Anna Rich
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Sam­ple pages of two Break­fast Seri­als sto­ries, pub­lished in local news­pa­pers nation­al­ly. The Shad­ow of My Father’s Hand, writ­ten by Craig Crist-Evans, illus­trat­ed by Anna Rich, is shown as pub­lished in The Morn­ing Call in 2006. Long Road Home, writ­ten by Kather­ine Pater­son and illus­trat­ed by Emi­ly Arnold McCul­ly, is shown as pub­lished in the Min­neso­ta Star­Tri­bune in 2005. Click on the image to see a larg­er version.

A read­er wrote: “I love what I have read so far. I have not been read­ing late­ly, and Break­fast Seri­als has me enthused about read­ing again. I can’t wait to read more.”

Anoth­er: “My name is Katie M. I am nine years old and going into fourth grade … I would real­ly enjoy it if you put more sto­ries in the paper like that. I make my dad buy the paper every day.”

And anoth­er read­er: “Please keep Break­fast Seri­als com­ing. I have dug mad­ly through the paper recy­cling bin upon real­iz­ing I missed a seg­ment when out of town.”

From the pub­lish­er: “The Detroit News has pub­lished Break­fast Seri­als for five years. [It] con­tin­ues to grow in pop­u­lar­i­ty and has increased our gen­er­al read­er­ship, in addi­tion to reach­ing more than 25,000 stu­dents in schools every week.”

There are plen­ty more respons­es to Break­fast Seri­als, too numer­ous to cite here.

But one inci­dent I can’t resist includ­ing. I was back East, rid­ing the New York Sub­way. As we raced along through the under­ground tun­nel, me cling­ing to an over­head strap, I real­ized the man sit­ting in front of me was read­ing the New York Post, a Break­fast Seri­als sto­ry, The Secret School. Oh, how I was tempt­ed to lean for­ward to say, “I wrote that.”

Start­ing in 2008, our coun­try expe­ri­enced a huge nation­al cul­tur­al shift: the inter­net, along with social media, had come along. One of the results: The num­ber of local news­pa­pers began to decline in large num­bers. Since that time, 2,500 local news­pa­pers in the Unit­ed States have shut down. That wan­ing con­tin­ues today. More­over, the num­ber of read­ers in the nation has also declined to a rad­i­cal degree. One result: much less access to Break­fast Seri­als’ illus­trat­ed stories.

While there are still some news­pa­pers that con­tin­ue Break­fast Seri­als, it is noth­ing like it used to be.

Just as Break­fast Seri­als fol­lowed read­ers to news­pa­pers for decades, now, in 2025, we’re bring­ing a library of 25 orig­i­nal ser­i­al sto­ries to Sub­stack, where 50 mil­lion active sub­scribers are already dis­cov­er­ing our sto­ries and ideas.

Find Break­fast Seri­als on Sub­stack.

The sto­ry of Break­fast Seri­als to be con­tin­ued next week.

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