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The Road from Nowhere

What’s this book about?

Only three kids live in the tiny, remote high Col­orado desert sil­ver min­ing camp of Gatchett’s Gluch, pop­u­la­tion 45.

Broth­ers Ollie and Gus, thir­teen and eleven, and Alys, the only girl in town, are the only kids. Bored and rest­less, they want to find sil­ver on their own and lib­er­ate them­selves from isolation.

When they stum­ble upon a cave that con­tains traces of sil­ver, the boys (along with Alys) are deter­mined to set up their own mine. But Eli­jah Gatch­ett, the man who owns and runs the town, won’t allow oth­er prospect­ing in his area and has harsh ways to enforce it.

More­over, this is 1893, a time of eco­nom­ic cri­sis, with the price of sil­ver going steadi­ly down. Mean­while, the boys’ moth­er has found a man she wants to mar­ry, a vis­it­ing geol­o­gist. At the heart of this sto­ry is the beat­ing heart of Ollie and Gus’s ever com­pet­i­tive rela­tion­ship — often at odds but mutu­al­ly depen­dent. How the kids nav­i­gate all this — with a sur­pris­ing end­ing — is an old-west adven­ture that has not been told.

Awards and Recognition 

Junior Library Guild Gold Stan­dard Selection

Reviews

This rous­ing his­tor­i­cal nov­el high­lights the Sil­ver Crash of 1893, a con­se­quen­tial moment in Amer­i­can his­to­ry whose eco­nom­ic impli­ca­tions dra­mat­i­cal­ly impact the pro­tag­o­nists’ dreams of cul­ti­vat­ing a bet­ter future for them­selves. Thir­teen-year-old Ollie Cleary lives with his moth­er and 11-year-old broth­er Gus in Gatchett’s Gulch, Colo., a sil­ver min­ing set­tle­ment where the fam­i­ly ekes out a liv­ing doing laun­dry for the prospec­tors. Ollie dreams of find­ing sil­ver and becom­ing rich, but the camp’s founder, Eli­jah Gatch­ett, for­bids unau­tho­rized min­ing. When Ollie and Gus stum­ble across an unoc­cu­pied cave con­tain­ing a sil­ver lode, they hatch a plan to reg­is­ter a claim and start their own rival min­ing oper­a­tion. Enlist­ing their 11-year-old Eng­lish-born friend Alys Thomas and adult new­com­er Bertram Blake, a trav­el­ing teacher and geol­o­gist, the boys dive into their scheme, which they must com­plete before Gatch­ett finds out and shuts them down. Mean­while, rumors of rapid­ly decreas­ing sil­ver prices threat­en the town’s econ­o­my. Avi (Lost in the Empire City) organ­i­cal­ly cap­tures the atmos­phere of the era and set­ting via Ollie’s ani­mat­ed nar­ra­tion, which main­tains a sense of opti­mism and hope through­out his slice-of-life com­ing-of-age expe­ri­ences and clas­sic kid adven­tures. The mem­o­rably ren­dered char­ac­ters cue as white.  (Pub­lish­ers Week­ly)

Two young broth­ers vie to strike it rich in the 1893 Col­orado sil­ver min­ing camp of Gatchett’s Gulch.

Thir­teen-year-old Ollie Cleary, younger broth­er Gus, and their friend Alys Thomas are the only chil­dren in their iso­lat­ed min­ing set­tle­ment, “pop­u­la­tion forty or so.” Ollie dreams of strik­ing it rich by find­ing sil­ver and mov­ing far away. The boys’ moth­er sup­ports them by doing the min­ers’ laun­dry and mend­ing; after their father’s death in a mine acci­dent, she’s adamant that her sons not take up min­ing. One day while the boys and Alys are out explor­ing, the Clearys’ dog, Poco, dis­ap­pears into a cave that turns out to be rich in veins of sil­ver. But their hopes are quick­ly dashed by Mr. Gatch­ett, the men­ac­ing mine own­er, who insists he owns all the land and its sil­ver. He threat­ens to run out of town any­one who dares to mine for sil­ver on their own. The author expert­ly weaves in his­tor­i­cal details, cre­at­ing a strong sense of time and place. The sto­ry explores the com­plex­i­ties of land claims and the sig­nif­i­cance of a pos­si­ble repeal of the Sher­man Act, which guar­an­teed that the U.S. gov­ern­ment would pur­chase large quan­ti­ties of sil­ver. Threats, like an encounter with a rat­tlesnake and the pres­ence of the con­trol­ling, sin­is­ter Mr. Gatch­ett, help sus­tain the ten­sion. Chap­ter cliffhang­ers pro­pel the nar­ra­tive, lead­ing to a sat­is­fy­ing and unan­tic­i­pat­ed end­ing. Char­ac­ters present white. 

A page-turn­er with a well-real­ized set­ting. (Kirkus Reviews)

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