Avi

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Blog

First Lines

“Mar­ley was dead, to begin with.” That’s the open­ing words of Dick­ens’ A Christ­mas Car­ol, and they are, in my judge­ment, as remark­able as they are mem­o­rable. Indeed, the first words of any piece of writ­ing are cru­cial, being as they are, the win­dow, the door, the invi­ta­tion, the induce­ment, call it what you will, to

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Poppy

Repeating Myself by not Repeating Myself

Series books, sequels, are per­haps more com­plex to write than read­ers think. Yes, cer­tain things are giv­en. For exam­ple, if you’ve estab­lished that your con­tin­u­ing pro­tag­o­nist has blue eyes, they are going to remain blue in sub­se­quent books. But the fact that there are things that must remain con­sis­tent demands that things also be different,

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Michelangelo Hand of God

Inspiration

The great Nine­teenth Cen­tu­ry French nov­el­ist, Balzac (1799–1850), once wrote, “It is as easy to dream a book as it is hard to write one.” Breathes there a read­er who has not thought, “that IDEA would make for a great nov­el”? Indeed, if there were as many books as ideas for books, there would not be

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Poppy

My Books in Other Forms

Writ­ing a book is one thing. But what hap­pens when peo­ple wish to take that book and turn it into anoth­er form? Film, audio, the­atri­cal play? Over the years books of mine have been turned into plays, and audio books. There have also been efforts to turn the books into film, but none have ever materialized.

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writing letter

A Life in Letters

I recent­ly evac­u­at­ed a stor­age bin of books and papers and came across a few box­es of let­ters that per­tained to my pub­lish­ing; let­ters from edi­tors, to edi­tors (car­bon paper, any­one?), mar­ket­ing folks, pub­lic­i­ty, from teach­ers and librar­i­ans, friends. For those not famil­iar with let­ters, I speak not of com­put­er fonts, but exchanges, writ­ten on

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waiting in line for the movies

Waiting in Line for the Movies

Over the years any num­ber of my books have been optioned for movies. What this means is that some­one pur­chas­es from me the rights to a book I wrote, so that they might cre­ate, orga­nize, and pro­ceed to make a film using that book. Mind, it does not mean they must make an absolute replication

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A Rose by Any Other Name

Con­sid­er names, names of char­ac­ters. Alice in Won­der­land. Ham­let. Huck­le­ber­ry Finn. Do we accept (and know) these names because the lit­er­ary works are famous? Or do we know the names because they could be none oth­er? Would The Tragedy of Ted, Prince of Den­mark, work just as well? Years ago, when work­ing as a librar­i­an at

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Venice, Italy

Venice

I do not know what you think about when the city of Venice, Italy, pass­es through your mind—if it ever does. A city built on water—to be sure—and a repub­lic for one thou­sand years. (In 1783, there were only two republics in the world: The USA and Venice.) But for writ­ers and pub­lish­ers there are

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The End of the World and Beyond

The First Proofs

In the long process of pub­lish­ing, I have always loved the moment when the first “proofs” of a book arrive on my desk. Strict­ly speak­ing a proof means, “Some­thing that proves a state­ment; evi­dence or argu­ment estab­lish­ing a fact or the truth of any­thing, or belief in the cer­tain­ty of some­thing; an instance of this.”

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library

How I Became a Librarian, Part III

I had left my librar­i­an’s posi­tion at Tren­ton State Col­lege, and set in to write full time.  That said, I was not so sure I could make the finan­cial bar. In any case, at the same time my wife accept­ed a six-month aca­d­e­m­ic posi­tion at UCLA. I’m not sure quite what hap­pened but, when she arrived,

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