Avi

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Strange Happenings

It was in 1995 that I pub­lished (Macmil­lan) three short sto­ries, in a book titled Tom, Babette and Simon. I have no clear mem­o­ry of how the book came about, or why or when I wrote the sto­ries. But I do believe that the first of the sto­ries I wrote was Simon, com­posed (I think) fifty years ago.

In time Tom, Babette and Simon went out of print.

Then, in 2006, anoth­er edi­tor came upon the book, and want­ed to reis­sue it but with the edi­tion of two more sto­ries. Accord­ing­ly, I wrote Curi­ous, and The Shoe­mak­er and Old Scratch, which were includ­ed in the revised book. The col­lec­tion also gained a new title, Strange Hap­pen­ings. It was pub­lished by Har­court, which not long after was sold to anoth­er pub­lish­er, Houghton Mif­flin, so the book stayed in print but now came under the Clar­i­on label.

Houghton Mif­flin merged into Harper­Collins but the book stayed in print under the Clar­i­on imprint.

More than a year ago, a Clar­i­on edi­tor told me that Harper­Collins wished to reis­sue the book but with an addi­tion­al short sto­ry, and have the book illustrated.

Would I write anoth­er story?

I said, “Yes.”

Though I find them hard to write, I like writ­ing short sto­ries. There is some­thing deeply sat­is­fy­ing about writ­ing a good one. The lan­guage is tight, the nar­ra­tive must be always to the point, reveal­ing, with char­ac­ters that have to be instant­ly grasped. There is no room for glitch­es. Over­all, the emo­tion­al impact of a good short sto­ry, I think, is big­ger than the sto­ry itself. To express it in metaphor, it is like a small light which illu­mi­nates a large space.

But while I agreed to write a new short sto­ry, I was not sure what it should be. It was my wife who said, “What about that nov­el you wrote? You know, the one which you said you nev­er got right. Do you remem­ber that?”

I cer­tain­ly did.

About twen­ty years ago there were a flur­ry of scary sto­ries for young peo­ple writ­ten by the likes of Chriso­pher Pike and R. L. Stine. At the time, I won­dered if I could write a nov­el that was tru­ly scary but one with­out any vio­lence. That was the task I set for myself. Accord­ing­ly, I wrote a draft and called the nov­el Fear.

I sent it to my agent, whose response was that it was too fright­ful, but passed it to my edi­tor, Richard Jack­son. He said it would be unwise to pub­lish it. “It’s too scary. Be bad for your reputation.”

I put it aside, although now and then I dragged out and worked on it, doing lots of rewrit­ing until it became a kind of a hob­by. There was some­thing about the sto­ry that held me. But too frus­trat­ed, I put it away. For good, I thought.

After some six years went by, Dick Jack­son unex­pect­ed­ly called me and said, “I have been think­ing about that nov­el. That scary one. Maybe now is the time to pub­lish it.”

“It’s quite different.”

“Let me see what you’ve done.”

computer diskette for file storageBig prob­lem. I wrote that book on my old com­put­er, the kind that used diskettes. More­over, I had moved. If I had saved that diskette, I had no idea where it was.

After lots of (clut­tered) base­ment search­ing, I found it. But the diskette tech­nol­o­gy did not work on my cur­rent PC. 

I found a tech­ni­cian who could con­vert that diskette to a new format.

With text in hand, I once again set about rewrit­ing it.

Alas, by the time I thought Fear was tru­ly done, Richard Jack­son had sad­ly passed away.

Now and again, I kept rewrit­ing. At some point I showed it to a few trust­ed read­ers. None of them thought the book worked. Writ­ers need hon­est friends.

I put it away, telling myself no more revisions.

Then came Clarion’s request for a new short sto­ry, and my wife’s sug­ges­tion to revamp that old novel.

Using bits from the old plot ele­ments, the phys­i­cal envi­ron­ment of the nov­el, as well as aspects of the char­ac­ters, I turned it into a short story.

My edi­tor liked it. “Real­ly creepy,” she said. “A good story.”

Strange Happenings Spine-Tingling Tales by AviAnd that’s how after twen­ty years Eels came to be part of Strange Hap­pen­ings, with six stories.

Over­all, the new edi­tion has been fifty years in the mak­ing, along with three pub­lish­ers, and three editors.

If that is not a strange sto­ry, I do not know what it is.

Strange Hap­pen­ings. Six Spine-tin­gling Stories.

Long in the writ­ing. Nonethe­less, short stories.

Hope you enjoy them.

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