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The physics of book signing

autographing booksI’ve done a fair bit of book sign­ing over the years. In fact, I just did one this past week­end. I always enjoy these events, most­ly because I get a chance to meet my read­ers, and chat with them. That said, when you sign books for a long peri­od of time it can be—believe it or not—exhausting. I’ve known more than one writer—popular to be sure—who devel­oped carpal tun­nel syn­drome from book signings.

At the risk of being absurd, let me sug­gest the physics of book signing.

First, the pen. It should be a roller­ball ink pen. One wants to min­i­mize the fric­tion of pen to paper. The paper in books today, (hard­back and paper­back) is pret­ty cheap, rough stuff, and the flow of pen on paper can make an enor­mous dif­fer­ence. Nev­er use quills.

The height of the sign­ing table. It should not be table height, but typ­ing table height, about 27 inch­es from the ground, so that the angle of the arm is down, nev­er up.

The chair in which the author sits. The best is an adjustable one, (with a back rest!) so (see above) the arm angle is down. Stools are awful!

The name of the per­son you are sign­ing to. These days you can nev­er assume the spelling of someone’s name. Amy. Amee. Amie. Amé. And so forth. And if you ask a child his/her name they often (par­tic­u­lar­ly if young) spell it out let­ter by let­ter in a very mea­sured fash­ion, with an occa­sion­al glance at their guardian to check if it’s right. A bit of paper with the person’s name print­ed is a vast help. It also means you get the name right away and there­fore can chat with the person.

The inscrip­tion. “To whom would you would you like me to inscribe the book?” I asked. “To the East Maplethrope Our Gra­cious Moth­er of God Mid­dle School Fourth Grade Read­ing Group and their Beloved Teacher Mrs. Edna Ner­ob­nicky.” I kid you not.

The pho­to op. With the ubiq­ui­tous cell phone—with camera—“Can I have a pic­ture with you?” is a very com­mon request. Here, a vol­un­teer IT per­son stand­ing by your side is a great advan­tage. But, if that vol­un­teer stands too close, your read­er, often out of shy­ness, talks to the vol­un­teer, not the author. They need to be close, but not too close.

Final­ly, if you are doing an evening read­ing, let the kids come first, adults second.

2 thoughts on “The physics of book signing”

  1. Books sign­ings often seem like a free-flow­ing organ­ic event but I can see how not pay­ing atten­tion to some of these details could make a sign­ing ses­sion very uncom­fort­able for authors, espe­cial­ly if you are sign­ing dozens or even hun­dreds of books. Over the years, I’ve come to appre­ci­ate the patience and kind­ness so many authors show whether there are three or three hun­dred peo­ple wait­ing for a book inscrip­tion. You are a spe­cial lot.

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